Wes Anderson has long been synonymous with style, symmetry, and storytelling steeped in nostalgia. With his newest cinematic offering, The Phoenician Scheme, the auteur brings another signature flourish to the screen — this time, courtesy of Montblanc’s legendary craftsmanship. Two writing instruments, crafted especially for the film, add more than just aesthetic detail; they underscore the characters’ intellectual poise and period authenticity.

In true Anderson fashion, every object in The Phoenician Scheme is charged with narrative potential — and Montblanc’s pens are no exception. Developed in collaboration with Anderson’s production team, Montblanc revisited its own archives to revive two distinct models for the film’s retro-noir setting.

Heritage Rouge et Noir Coral With A Serpentine Clip

The Heritage Rouge et Noir Coral, which initially came out in the 1920s and discontinued in 2019, was brought back to life for The Phoenician Scheme, albeit with some bespoke flourishes. The Rouge et Noir Coral, which was initially influenced by Montblanc’s early safety pens, has a vibrant coral resin barrel and a striking serpent-shaped clip that is wound as though protecting a secret.

Only seven pieces, each specifically designed to channel an even closer similarity to the original 1920s design, were created for the movie. One significant cinematic change was painting the cone of each pen black, which complemented the colour scheme of the movie and added to the antiquated appearance. This degree of handmade personalisation demonstrates Montblanc’s dedication to Anderson’s renowned multi-layered narrative as well as to form.

Meisterstück 149 ‘50s Look’ – The “Birthright Pen”

The specially designed Meisterstück 149 ’50s Look,’ also known on set as the “Birthright Pen,” is a statement of character heritage and elegance. This custom Meisterstück was redesigned to mimic the exact style of Montblanc’s creations from the 1950s. It has two-toned cap rings and an engraved “149” on the cone, which are subtle yet distinctive indicators of authenticity.

Made in just two pieces for the movie, this pen acts as a symbolic heirloom for a crucial character arc in addition to grounding the movie in its mid-century setting. It’s the kind of detail that enhances the film’s visual language without drawing too much attention to itself. This is where Anderson and Montblanc agree: design tells a story.

A Collaboration Rooted In Legacy

Montblanc’s part in The Phoenician Scheme is a brilliant example of cultural alignment rather than merely product placement. The filmmaker is renowned for paying close attention to form, history, and story, as is the Maison. In addition to demonstrating its eternal past, Montblanc’s revival and refinement of these vintage designs for the screen demonstrates that, in the capable hands of a true storyteller, even a pen can convey a great deal of information.