‘True Luxury Lies In Time, Skill, And Hands Of The Maker’: Inside Kritika Goswamy Malik’s Dwell Design Show Debut

The recently concluded design show did not have static booths. Instead, Outlook Luxe walked through several lived-in environments showcasing furniture, lighting, textiles, and objects existing together as they would in a real home

02 May 2026 01:52 PM

Homes are not just aesthetically lovable environments that you curate with the most beautiful objects. You have an emotional chord struck with your living spaces. It is beautified with things that hold a special meaning for you and remind you of the memories of your lifetime.

From the first painting that you draw for your home, to the first picture, you got framed on that living room wall, a vintage clock adorns your bedside table, to a bookshelf design, just as per your needs, filled with your best selection of reads — everything kept in the Home speaks of who you are.

carpets from Kesari homes.
Carpets from Kesari Homes

At the inaugural edition of the two-day Dwell Design show, recently held in NSIC Okhla, I didn’t just see an isolated fine selection of lighting, art, objects, textiles, and furniture for home. In fact, they were styled in a context-driven approach to interiors, creating small curated corners— from a wall, adorned with pearl-studied artwork, suitable for a living room, to mushroom lights, best suited for a bedroom, and a curated kitchen stuffed with ceramic ware.

At Dwell Design Show, an initiative by House of December (HOD)
At Dwell Design Show, an initiative by House of December (HOD)

“India’s luxury design market has long been product-heavy but context-light. We’ve seen beautiful objects, but rarely do we see how they belong: how they live within a space. What’s been missing is integration: the dialogue between interior design and styling,” says Kritika Goswamy Malik, Founder, Dwell Design Show, an initiative by House of December (HOD), a multidisciplinary design studio.

Clayzz by Kamana Gupta
Clayzz by Kamana Gupta

Her aim was to shift that narrative. “Instead of static booths, we created styled, lived-in environments across different design languages—modern, minimal and contemporary Indian—where furniture, lighting, textiles, and objects exist together as they would in a real home, offering a glimpse into curated styling nooks.”

A homely display

The event brought together a carefully curated selection of participating brands, with each celebrating the diversity of contemporary Indian design, such as Kasto Designs, Align by Mr Glass, Adore My

Wall, Illustrations by Rooh, Objects of Distinction, Purplepirateco by Deepti, F Six Homes, and Vakr Studio, amongst others.

Bric A Brac, almost resurrected, the revered guardians, spirit, and folk goddess of the Sundarbans forest, Bonobibi. It celebrates the delicate part between humans and the wild through recycled yarn wall hangings and flora shops, along with serveware decked on a styled kitchen-like set-up.
Bric A Brac brings recycled yarn wall hangings and floral decoratives, along with serveware 

As I moved around, I did not just see a showcase of products. Their composition and styling were just like a home comes together. Under “Stories of the Hand” artists, featuring A Clay Story, Bric A Brac, Clayzz, and Svitlana_kripak, showed creations rooted in craft and materiality.

luxury books on Indian fashion, arts, craft, world travel and poetry books from Gulzar, grabbed my attention at the Bahrisons Luxe booth.
Books on luxury from the Bahrisons Luxe booth

For instance, Clayzz by Kamana Gupta moulded terracotta beyond the expected with playful forms, such as flower vases,  animal fingers, and quirky faces for the walls. Bric A Brac, almost resurrected, the revered guardians, spirit, and folk goddess of the Sundarbans forest, Bonobibi. It celebrates the delicate part between humans and the wild through recycled yarn wall hangings and flora shops, along with serveware decked on a styled kitchen-like set-up.

lighting, art, objects, textiles, and furniture for home.
The show brought lighting, art, objects, textiles, and furniture for homes

In another section, luxury books on Indian fashion, arts, craft, world travel and poetry books from Gulzar, grabbed my attention at the Bahrisons Luxe booth. Some I wish to keep as collector’s editions, others I imagined to keep as coffee table books on my home’s outdoor furniture table for conversations over evening tea. Further, coming from an artistic background, I could not ignore the stunning wall scrolls of Pichwai art from Heritage And Now and carpets from Kesari homes.

stunning wall scrolls of Pichwai art
Stunning wall scrolls of Pichwai art

They brought a sense of artistry and lived in comfort.

What’s True Luxury?

At every booth, the design was not trying too hard to be seen. It was quietly serving the purpose of the space while elevating it, as true luxury does.

 

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“For me, luxury is never loud. It’s when a space begins to serve you quietly. In my own home, there’s a low white ash console, something I picked up years ago during a sourcing trip. It’s simple, almost understated, but it holds everything from keys to fresh flowers, and anchors the entry without demanding attention. That’s effortless luxury,” elaborates Kritika, adding, “Another is a hand-thrown ceramic bowl I found at a small artisan studio. It sits on my coffee table, not styled to perfection, just existing. Some days it holds flowers, other days nothing at all. But it brings a tactile warmth that no mass-produced object can. And then there’s lighting, always the most underrated element. A softly diffused floor lamp placed just right can eliminate the need for multiple harsh lights. When one piece solves multiple problems, that’s luxury. Also, luxury is when you don’t have to think about design anymore—it simply works, beautifully.”

The Dwell Design Show wasn’t just a luxurious showcase of intentional living. In Kritika’s words, “it reminded people that true luxury still lies in time, skill, and the hand of the maker.”

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